Monday, February 23, 2009

Dorian Gray: Art

"every portrait that is painted with feeling is a portrait of the aritst, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself".


"there is nothing that Art cannot express".


Fear of Dorian knowing the truth about the portrait:

"An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract of beauty".


Harry:

"They spoil every romance by trying to make it last forever. It is a meaningless word, too. The only difference between a caprice and a life-long passion is that the caprice lasts a little longer".


Harry explaining Basil to Dorian:

"Basil, my dear boy, puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices, his principles, and his common-sense. The only artists I have ever known, who are personally delightful, are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realise".

1 comment:

  1. What has always interested me about art is whether "art imitates life" or "life imitates art". Is there a feasible answer to this or is it like the chicken and the egg answer?

    No one can deny the influence of art on this novel but trying to understand if Wilde takes the side that "art imitates life" vs "life imitates art" is hard. And these quotes definitely lead me to think about this idea.

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